Poems by Erin Ramsay
When It’s Cloudy Everything Is Dead; When It’s Raining Everything Is Alive; And When It’s Sunny Everything Is Bright, So It Doesn’t Matter
Erin Ramsay
Published on
page 28 of Tarot #2
(June 2021)
as the grey came to brood in a soggy sky, Charon mated with Karen—
the Epsom houses have been hollowed out
in the remnant of pith there lies a spider’s egg of wealth—
white sneakers, light fixtures, pressurised air
and seeing castles in the ozone, a throbbing palimpsest
Google Search: synaesthesia memory depersonalisation
mood swings changes in light, weather
no one can give me a fucking answer
and the cloud, it’s trickling into my skin, it’s melting me
into the footpath with the sweat I carry
you’re incredible, you know
still pounding the pavement, even with all that in your head
Google Search: is it normal to feel like
to feel
like
the mind-vomit
what did you tell her? that it feels like living in a horror film
yeah, you’re fucking amazing
;
chattering ghost faces run the gamut
see the small world
rotting leaf is beautiful—drip drip
straw grasses, feeding warrums near the plastic flakes
tinctures: concrete sizzle, line vertical, bird-tail-flick, happy house-dirt
door open merging boundary;
wishes laughing in the humid air
;
the tips of the lemon leaves are winking with water
I’m catching the sunset on the swing of my hand
there is no substitute for the growth of a year
the hard-edged confidence that hands me an afternoon
with new and good people
and returning home to the cat
bathed in some combination of
viridescence and old furniture
and hope in the yellow
Cannibalesbianism
Erin Ramsay
Published on
page 48 of Tarot #2
(June 2021)
something sulphurous is dripping down
the inside of my torso
the inside of a cave
the damp of my body
in a hotel once—
the girl pressed into me
ground herself down to nothing
until she was as thin as pencil shavings
and bright as a knife
and the hair she had then is the hair I have now
my envious and Saturnal instinct
means I eat everyone up
The Mirror
Erin Ramsay
Published on
page 12 of Tarot #1
(Dec 2020)
“Carol looked at her. ‘How do you become a poet?’
‘By feeling things – too much, I suppose,’ Therese answered conscientiously.”
The Price of Salt, 1952, Patricia Highsmith
i. Bliss
I spilled water on the carpet when I knelt to feed the houseplants
Like you broke the milk jug
Ambivalence touched me lightly
I waxed translucent
I read in my old cahier the violent words of fantasy
I felt my knuckles drag
Soft fevers tore my skin
I ate fitfully and late
Music rang and crooned
The curve of my throat was vulnerable
Restless in the stair bend
I fell heavy with yearning
ii. The Mirror
You
I found you
I saw you in the Palermo
You stole glances but were afraid
And being you, I saw myself
In some unfamiliar frame
You were too much of a boy
***
Let me count the ways
That I am you
I read Joyce’s Portrait too
I too bought material things for love
And saw figures in clouds
And whole worlds in Sandringham houses that each seemed like their own country
I saw you and within you I saw myself too
And within that silhouette another self and on and on
Until I numbered in the thousands and millions
iii. Anger
Like you I could not escape capriciousness
Like Auckland weather
On Oxton Road I watched a curl of leaves rush across the street, unwinding
Those blissful feelings closely held were now dispersed and lost
I felt the blow she dealt you
The shame of living vicariously
I looked for you in a palindrome of movement
Here and there and there and here again
But you were gone and there was only jealousy
A disgust at never knowing true and beautiful affairs
And the sky turned to slate
And the wind blew as if to say
You will never settle
You will for ever shift and change
I stared at the 1917 in stone on a Dominion Road building
which was there before you or I were born
And selfishly believed that the world held its breath for me
and that was why the streets were empty
I ran to find you and put you behind me
iv. On to Perigee
In the end I came to your conclusion
There will be a gradual return, the journey slow where it had been so quick before
I’ll walk towards the natural and right ending of things
It is an omnipresent ending
I’ll make your choice repeatedly
On shuttering grey days and when the light is lemon-toned
None of the first ecstasy now
But still the wingbeats of the pulse of love—
Like you, I choose to continue
